THE LAST FIFTH GRADE OF EMERSON ELEMENTARY

THE LAST FIFTH GRADE OF EMERSON ELEMENTARY
April 12, 2016

Friday, June 25, 2010

Poetry Friday: Don't Be Listless, Part 2

For this middle school (and up) lesson in list poems, we've looked at a "found" model and a list-poem by master poet Laura Boss. See the previous post for these models and instructions.

Now it's time to write!

Here are the steps for your students:

1. Prewrite. Choose a topic and brainstorm loosely.
2. Find a rhythm and/or poetic order to your ideas.
3. Build to a surprise ending, or leave your reader with something to think about.
4. If you're stuck, go back to the first line. Use it as a refrain and begin a new idea or stanza from there.

Starter ideas:

  • Things I want
  • I remember
  • I'm not/I have never
  • I used to be, but now I am

I am partial to "not-poems." Teens get the idea that telling others what or who we are not is as revealing (sometimes more so) as stating who we are.

If you try the lesson, let me know how it goes. Hope your students enjoy it as much as mine did.

Thanks again to the wonderful Laura Boss for agreeing to share her poem. I hope you'll check out more of Laura's work.

Our host for Poetry Friday is Amy at Art of Irreverence.

Poetry Friday: Don't Be Listless, Part 1

List poems seem easy to throw together. Pick a topic. Make a list -- one item per line -- voila! Poetry.

That's like saying a haiku is as simple as 5-7-5.

Similar to haiku, the more thought a poet puts into a list poem, the richer the rewards. Reading and writing list poems can be an exercise in critical thinking, well-suited for middle school and older writers.

I created this lesson for a local middle school Writer's Guild. It was a huge hit! Non-teachers, feel free to skip the lesson-plan lingo and head straight for the model poem. Teachers -- Laura Evans will make the full lesson available at Teach Poetry K-12. Thanks, Laura.

List Poem Lesson
Skills:
  • use a refrain to create rhythm
  • build to a lift or surprise at poem's end
  • pay attention to word/image choice to create tone
Materials:
  • List (see below) from Found Magazine (copy for each student, or on projector)
  • "At the Nuclear Rally" by Laura Boss (copy for each student)
1. Warm up discussion
  • Who uses lists and why?
  • If someone found a list you wrote, what would they know about you?

2. Read a "found poem" list from Found Magazine. Note -- screen the Found website before sharing items with kids.


  • What do we know about the list-maker?
  • How is the last item on the  list important?
  • How is a list like a poem?
My writers loved working with this model. They got it! List items can show character. A surprising item at the end of a list adds depth for the reader.

3. Read "At the Nuclear Rally" by Laura Boss.

Laura Boss is a longtime Geraldine R. Dodge Poetry Program poet, editor of LIPS magazine and was one of my first mentors. She is a master of the list-poem form.

This poem is available in many anthologies and Boss's books. I have it from her book, Reports from the Front (Cross-Cultural Communications, 1995).

At the Nuclear Rally

by Laura Boss

thinking of my father
who died of cancer of the pancreas
now linked to radiation

thinking of my father
who worked for the Atomic Energy Commission
that ran security check on him
questioning our neighbors in Woodbridge

thinking of my father
with a pen in his pocket
who could add four columns of figures
in his head but stayed poor
working for the OPA
while colleagues took
expensive presents

thinking of my father
who embarrassed me, singing in the car
with the radio on as I now do
who returned from government trips
with marzipan strawberries, bananas, grapes
who cooked Sunday breakfasts of chocolate
French toast (his special recipe)
and let my mother sleep late

thinking of my father
who was born Jewish
but never went to temple
never was Bar Mitzvahed

thinking of my father
who smelled of Chesterfields
who never hit, never spanked me
told me he was glad I walked home
with the only black woman
in my high school class

thinking of my father
who would have been at this rally
next to me tonight

Posted with permission of the author. Thanks, Laura!

4. Discussion of "At the Nuclear Rally"
  • What items on the list stand out for you?
  • What do we know about her father?
  • How does the refrain add to the poem?
  • Discuss the last stanza -- why is this last?
Boy, were the middle schoolers I visited ready to sink their teeth into this poem!

I'll post the related writing prompt and poetry starters later today. For now, head over to Amy at the Art of Irreverence for more Poetry Friday.

Tuesday, June 22, 2010

Internet Incognito

North Dakota is the 39th state (11/2/1889) on our 50 State Tour of poets laureate.


Larry Woiwode (pronounced "why-woody") has been the Peace Garden State's poet laureate since 1995. He's also an award-winning novelist, writes fiction and nonfiction, and teaches at North Dakota's Jamestown College.

But after a long search, I gave up looking for a poem by Woiwode posted on the Internet.

Which made me wonder... why do some poets embrace the World Wide Web, while others go Internet-Incognito.

There is danger in posting a poem. People will be able to read your work without paying for anything, they might post a poem, share it, plagiarize.

But the flip side is, people might enjoy your work and seek out more of it.


Still, I'm surprised that a Guggenheim Fellow and National Book Award finalist like Woiwode isn't represented on sites like the Academy of American Poets, Poetry Foundation, The Writer's Almanac and Poetry Out Loud. (Woiwode has some poems available online through The New Yorker magazine, but you have to be a subscriber to access them.)

If you'd like to know more about this mystery man, there's a review of his memoir, "A Step from Death" here.

The Writer's Center (here in Maryland) did a "Whatever Happened to?" post on Woiwode.

To represent North Dakota, I'm sharing a James Wright poem, "Outside Fargo, North Dakota." I like the way this one refers to the writing process -- read to the poem's end to see what I mean.

Outside Fargo, North Dakota

by James Wright

Along the sprawled body of the derailed Great Northern freight car,
I strike a match slowly and lift it slowly.
No wind.

Beyond town, three heavy white horses
Wade all the way to their shoulders
In a silo shadow.

Suddenly the freight car lurches.
The door slams back, a man with a flashlight
Calls me good evening.

Read the rest of the poem here.

Poets --  how do you feel about posting your work on the Internet? What are the hazards? The positives? Tips you have about sharing poems in a way that's comfortable?