It's Ekphrastic Poetry Friday!

William Carlos Williams has been one of my source (as in source of water for the well) poets since I was a teenager.

He’s a fellow northern New Jerseyan who, as a working doctor, was on the outskirts of the artistic clique that included Gertrude Stein and Henri Matisse.

At an NYU freshman comp class, we were required to bring in a poem & write an essay explaining why we liked it. I shared WCW’s wonderful found poem, “This is Just to Say.” The boy who brought Madonna’s “Papa Don’t Preach” was furious. “That’s not poetry!” he told me (and the rest of the class, loudly.) “Papa Don’t Preach” vs. “This is Just to Say?” No contest!

I love Williams’ fascination with imagery. You can almost feel the grass growing in his poetic response to Brueghel’s painting, “Landscape with the Fall of Icarus” (see below). His poem, “The Great Figure Five” is a multi-media work of art in words.

There’s a long tradition of poetry written in response to art. The fancy word for it is ekphrastic poetry. If you’ve never encountered the concept before, take a look at Brueghel’s painting, then read the poem and let WCW lead the way.

Ekphrastic poetry is on my mind lately.

The Maryland Humanities Council has invited me and five other MD poets to create a series of school workshops called “Totally Ekphrastic.” You can read about the program here.

We’re each choosing several images from the National Endowment for the Humanities “Picturing America” program. The images are works of American Art -- Hopper, O’Keefe, the Brooklyn Bridge, a series of Native American baskets, a portrait of Paul Revere. You can check out the gallery website.

531 schools in Maryland have requested the images and related curriculum. We’ll see how many of them are interested in the free poetry workshops. I’m excited!

One of my choices is an Audubon painting of a big, pink flamingo. Perfect for elementary schoolers! I’m thinking about having kids pose like a flamingo to get into the spirit.

Here's your ekphrastic poem...

Landscape with the Fall of Icarus

William Carlos Williams

According to Brueghel

when Icarus fell

it was spring

a farmer was ploughing

his field

the whole pageantry

of the year was

awake tingling

with itself

sweating in the sun

that melted

the wings' wax

unsignificantly

off the coast

there was

a splash quite unnoticed

this was

Icarus drowning

Our host for this week’s Poetry Friday is Check It Out -- that's a command, not a request, so go check out all of this week's poetry!

Poe-etry Writing Exercise

"From childhood's hour" what has been the demon in your view?

Okay, maybe you're a convert to "The Secret," or you were always a glass-half-full type of person. But I agree with Edgar Allan Poe. In childhood, we establish a point of view that's basically positive, negative or neutral, generally happy or sad.

In response to Poe's poem, "Alone," tell about the person or event that shaped your childhood point of view. Or, like Poe, create a metaphor that describes what haunted or encouraged you as a child.

Here is a triolet I wrote several years ago. In my mind, it touches on this subject -- even though the poem doesn't reveal the "demon."

Triolet: A Visit to the Doctor of Herbal Medicine She says, “You have the sadness in you.” She can see it in my dry, cracked hands. My skin is raw with sorrow, it is true what she says. “You have the sadness in you.” How can I hide it? Absence dries me through -- heart to knuckle-bones, I’m marked by its brands. She says, “You have the sadness in you.” She can see it in my dry, cracked hands. Published at Poets Online, Winter 2000

Want to know more about the triolet form? There's a good article here: http://www.webexhibits.org/poetry/explore_obscure_triolet_make.html