THE LAST FIFTH GRADE OF EMERSON ELEMENTARY

THE LAST FIFTH GRADE OF EMERSON ELEMENTARY
April 12, 2016

Saturday, April 28, 2012

30 Habits of Highly Effective Authors #28: Nikki Giovanni on Personifying Poems



Nikki Giovanni has several poems that use the poem itself, or the act of writing, as a metaphor. When you read these poems together, the poem takes on a persona: A friend or beloved whose feelings for the speaker are unreliable. Giovanni speaks to the complicated relationship poets have with their words.

Habits

by Nikki Giovanni

i haven't written a poem in so long
i may have forgotten how
unless writing a poem
is like riding a bike
or swimming upstream
or loving you
it may be a habit that once acquired
is never lost


but you say i'm foolish
of course you love me
but being loved of course
is not the same as being loved because
or being loved despite
or being loved

if you love me why
do i feel so lonely 



My favorite lines are: "it may be a habit that once acquired/ is never lost." It's a message I share with students, beginning writers, and stuck writers. Once you're bitten by the writing bug, it will always be there for you.

Here is Nikki Giovanni performing, "Talk to Me Poem." It was featured on an early episode of Def Poetry Jam.

Friday, April 27, 2012

30 Habits of Highly Effective Poets: Jeannine Atkins on Multi-tasking

It's the last Poetry Friday of National Poetry Month and I am thrilled to be hosting my friend and fellow Poetry Friday blogger, Jeannine Atkins.

Jeannine and I met through Poetry Friday. She is the author of many books, including the historical verse biography, Borrowed Names: Poems about Laura Ingalls Wilder, Madam C.J.Walker, Marie Curie and Their Daughters . (My interview with Jeannine about Borrowed Names is here.)


Jeannine has several books for children about important women in science. With her interest in science and nature, her efforts to teach girls about pioneering female scientists, and her excellence in poetry, Jeannine is an expert multi-tasker. Today, she's going to tell us how juggling tasks helps with her writing.

Here's Jeannine.

I’m not a fan of blank paper, so rarely begin there. Much of my writing is inspired by reading or paying close attention. I’m intrigued by small things I see, and pose questions, puttering through books or following threads on the computer, though WEB information often isn’t dusty or buried enough to intrigue me. I write out from the image, describing it, then the setting, and people who come upon it. I look for other concrete things that the first image calls to mind and collect those that collide or snap into place.

I find it helpful to have several projects going at once. I can embrace procrastination by goofing off on one by fiddling with another, and find that after all a poem is sneakily coming together.

Or you can always write a poem about procrastination, as I did here:

Not Today,

Mama says, There’s too much housework.
Please. Do not get sidetracked
by shirts that need pressing.
There will always be fine grime
on the china on the mantel,
corn to husk, cherries to pit, apples to core.
Ignore them. The dream begun under a tree
is sweeter than stories you tell yourself
over dirty dishes.
Life tempts most away from paper and pen,
but gently bring yourself back.
Who can resist gingerbread
with chocolate frosting,
but do you need to bake it now?         
If you must get out pots and pans,
come back and invite your distractions --
cinnamon, ginger, and nutmeg -- onto the page.



 from Borrowed Names: Poems about Laura Ingalls Wilder, Madam C.J.Walker, Marie Curie and Their Daughters (Henry Holt, 2010), © 2010 Jeannine Atkins. All rights reserved.

Some of my family's other favorite books by Jeannine are:



We especially enjoyed Becoming Little Women
after a visit to the Alcotts' Orchard House.
You'll find links to every post in my "30 Habits of Highly Effective Poets" here.

Today's Poetry Friday host is my dear friend Tabatha at The Opposite of Indifference.

Thursday, April 26, 2012

30 Habits of Highly Effective Poets #26: On Fun

 

During the last twenty-five days, we have looked at writing habits -- from researching ideas on Google, to scheduling regular writing time, and reciting poems into a recorder. Some of the posts have been funny but, so far, we haven't talked much about having fun.

Obviously, not every poetic topic lends itself to a party atmosphere. However, adding some fun into your writing routine is a good reminder that there is joy to be found in poetry.

So, go have fun with your writing today. Some suggestions:

  • Attend a poetry event. Hanging out with friends or meeting new folks helps me feel connected to the local literary community. It's the last Thursday of National Poetry Month and Poem in Your Pocket Day. Poets.org has a list of happenings going on around the country today. I plan to spend the afternoon at Howard Community College's Blackbird Poetry Festival, featuring Kim Addonizio and Michael Cirelli.
  • Host a "Poetic Formal." You could try this event in your classroom, at a library or bookstore. What is it? I'll let you know tomorrow, because my friends Shirley Brewer, Clarinda Harriss, Bruce Sager and I are hosting the first known Poetic Formal tonight. Loosely defined, a poetic formal is a reading of form poetry performed in kitschy formal clothing, with prizes going to creatively attired audience members. (Are you free tonight? I'll see you 6:30 PM at Baltimore's Village Learning Place. In addition to the prizes, free food and drink. Formal wear is optional. I'll be wearing a vintage 70s polyester "Goddess Gown.")

  • Write an ode to something random. One of Pablo Neruda's odes to common things is "Ode to Laziness." He wrote another to a tomato. Odes are all about heightened language, hyperbole and tone. Looking around right now, I think "Ode to an Eraser" has potential.

  • Write a song parody or poem parody. My fifth graders at Swansfield E. S. were working on song parodies yesterday. We did a version of "Jingle Bells" about the classroom's very dirty fish tank. It was a hoot.

Here is a poem parody that I wrote specifically for tonight's Poetic Formal event. (Friendly for HS and up only.) There's an article on villanelle form here.

Villanelle in 6/8 Time

By Laura Shovan

You are vile, Villanelle --
demands a la Twister,
corkscrewed nautilus shell.

I’ve done yoga (I fell).
It earned me a blister.
You are vile, Villanelle.

Elbow yellow! You yell.
My form’s a disaster --
corkscrewed nautilus shell.

Left foot red! That’s just swell,
reach under my keister.
You are vile, Villanelle,

a robotic gazelle,
with haywire transistor,
corkscrewed nautilus shell.

My vocab’s gone to hell.
I’m out of here, Mister.
You are vile, Villanelle.
Screw your nautilus shell.
 What do you do when you're in the mood for poetry fun?

Wednesday, April 25, 2012

30 Habits of Highly Effective Poets #24: Antonio Blunda on Music

Antonio Blunda is an Italian poet, living in Palermo. We have begun a friendship, after we both participated in the 2011 event, 100,000 Poets for Change.

I know that Antonio loves coffee (he talks about it all the time on Facebook.) He is also a music aficionado. Although both play a role in his writing life, Antonio's habit for this series on writing is listening to music.

I get too distracted if I listen to music while I'm writing. I usually prefer quiet. The only exception is if I'm working on a period piece. Then, I find the music helps my mind-set.

I am very excited to share a poem of Antonio's in English and in the original Italian. The subject of Antonio's poem, the ocean, lends itself to musicality because of its natural rhythm and onomatopoeia.
Here's Antonio:

Hi, Laura. Very often the music -- I like all: new age, new classical, classical, jazz, fusion, etc. -- every kind of music opens the mind. Now, for example, I'm listening this one: http://www.youtube.com/watch?v=xi_0wdXg4Y.

(That's the love theme to the science fiction movie Blade Runner. Great choice.)
I AM THE SEA
by Antonio Blunda


This night has followed me

like a stranger
a foreign spy

I put up a defensive distance


Frisian horses

walking suddenly faster
after crossing the city

All strangers

of a strange land,
strange houses whose insides I cannot read


the prospective dead and the lovers

on a sidewalk
like crushed walnuts

strange souls from hell

on a bus from purgatory
that got a hold inside me

on the sands

on the déjà vus

on the tent of the stars

and in every place anyway
(but have I ever been here?)

This night they were following me

like a dog of this earth

 
what do they clench to themselves?
 
Forgive me, I do not want to understand.

I am the sea

with my usual job

for sailors and guardians


I am the sea,

I am nothing but the sea.

 
A companion
of that pale

eye that is on me.

 
a Rachmaninov melancholy
cooling down
to the right side of dirty windows

a breath

without a strong noise

(Translation Ute Margaret Saine)

IO SONO IL MARE

Questa notte mi ha seguito
come una spia straniera

ho messo una distanza di difesa

cavalli di frisia
aumentando il passo
subito dopo una città

Tutti stranieri
d'una terra straniera,
case straniere che non leggo mai dentro

gli aspiranti morti e gli amanti
su un marciapiedi
sono noci schiacciate

anime d'inferno straniere
su un bus di purgatorio
che si tengono in me
sulla sabbia
sui dejavu
sul panno di stelle
e comunque da qualche parte
(ma io son già stato qui?)

Questa notte mi hanno inseguito
come un cane di questa terra

cosa stringono intorno?

Perdonatemi, io non voglio capire.

Io sono il mare
con il mio solito mestiere
per naviganti e guardiani

Io son il mare,
non sono altro che il mare.

Un compagno
di quell'occhio
pallido su di me

Io sono il mare
una malinconia di Rachmaninov
che si raffredda
sulla destra
dai finestrini sporchi

un respiro
senza rumori forti
 


Antonio Blunda was born in Erice and lives in Palermo, where he practices as a lawyer. Among his passions are literature, poetry, fiction, quantum physics, history, philosophy. Among his literary prizes are "Encyclopedia of the Italian Poets Emerging" 2002-2003 published by Publisher Aletti and first place in the 2004 "Prize for Peace" organized by the Culture and Society Studies Center of Turin. He blogs at: www.antonioblunda.com


Tuesday, April 24, 2012

30 Habits of Highly Effective Poets #24: Barbara Westwood Diehl on Googling

Do you have a go-to website that you use when writing poems? Many of the poems in my middle grade novel use rhyme. I have a rhyming dictionary. It is on my bookshelf in the basement, gathering dust. Why? Because www.rhymezone.com is right at my fingertips.

Today's highly effective habit is Googling or, more generally, following the thread of an Internet search. Procrastination technique? Maybe. But the search may lead you to an interesting discovery, a small corner of scientific knowledge or an outdated law that might inspire a poem, according to poet Barbara Westwood Diehl. Barbara is the founding editor of the online journal Baltimore Review.

Here is what Barbara has to say about googling:

Google has been the doorway to a lot of my poems. Sometimes it’s just a tool to find pronunciations and definitions. Sometimes those definitions are breadcrumb trails to other words— better words to slip into my poems. Sometimes, I have no idea what word I’m looking for, so I type something along the line of “kinds of angels” or “what mountains are made of” in the search box.

Most of the time, I’ll find what I’m looking for—or I’ll find something amazing and get seduced to a place far from where I had in mind. And then, although that place may be fascinating, it’s far from where I need to be to write my poem. Sometimes, those breadcrumb trails blow away into the woods, and I’m utterly lost. Sometimes, it’s nice to be lost.

Still, poets should be intensely interested in the world around them, whether they’re out on city streets, hiking in the woods, looking through a microscope—or losing themselves in a maze of Google searches. There is so much to learn, and so much to write about. Maybe too much, at least for me. Sometimes all that information can be overwhelming—I want to use all of it!—and that feeds my natural tendency to procrastinate. I have to remind myself that this poem won’t be my last. All those wonderful words can be slipped into other poems. Later.

Google came in handy for this one:
Canadian Rockies @beautifulsceneries.info
Blue Mountain
by Barbara Westwood Diehl
So mountains were a disappointment,
and not at all what you imagined.
I’m sorry they were not the blue
they seemed from far away,
during the long ride through Utah
toward the Wasatch Range of the Rockies
and Mount Olympus, and all that time
you had to anticipate something mythic—
the Macedonians appeasing their deities,
killing cattle and goats at the feet of Apollo,
or the Arapaho with bow and arrow,
hunting bison and elk in the foothills—
not the temple and saints of Salt Lake City
with its marshlands, mudflats,
and Mormons.

Did we keep the mountains distant for too long,
a blue-white blur of air and ice caps,
letting you believe in clouds as heavenly gates
and not just clouds, as if cirrus and cumulus
were not miracle enough, letting you believe
in mountains made of six-winged seraphim
crying holy, holy, holy, instead of
telling you the whole world is made of faults,
the slow rending and closing of earth
over time, not by divine genesis,
but the brown lip of wounds healing—
instead of telling you there is more wonder
in the guts of a thing, the magma below,
the veins of icemelt, schists
with garnet hearts? 

Montana's Garnet Mountain


It's Tuesday, poetry prompt day. Let's search the internet for ideas. Try one of these:

Or make up your own search topic. When you find something that interests you, follow the topic through at least three "clicks." Do you have enough information to get started on a poem?