THE LAST FIFTH GRADE OF EMERSON ELEMENTARY

THE LAST FIFTH GRADE OF EMERSON ELEMENTARY
April 12, 2016
Showing posts with label revisions. Show all posts
Showing posts with label revisions. Show all posts

Monday, February 15, 2010

Revisions: To re-key or not to re-key

How am I staying sane during this season of SnOMG? Since the kids have no activities and I can't teach (central MD schools are closed through Tuesday), I have time to revise.

Here's the big revision question: Are you a re-keyer?



Re-keying a manuscript seems counter-intuitive. Easy revisions -- that's what makes computers so great, right? Here are some cons -- and pros -- of re-keying a manuscript when you revise.

Cons
  • Your critique group will look at you like you just said, "Twilight wasn't all that great," because you'd have to slightly touched to make all that work for yourself.
  • It is work. Work takes time. Which leads to...
  • Re-keying is slow. You won't get your manuscript revised in a flash.
  • Typos. You cleaned them all up in the last draft. If you re-key, you'll have to proofread again. Carefully.

Pros (There's really just one, but let's break it down.)

  • Re-keying forces you to consider every word in your book.
  • There are places your eye glosses over when you're reading, carried along by the story. That's good, if you're a reader. Not if you're an author. Re-keying slows you down and reveals lazy spots in your writing.
  • Re-keying puts you back in that magic place of creating, rather than the shuffling of cut, paste, and delete. This opens up discoveries. Doors open in the story, in the characters, that weren't there before. If you were rushing down the hallway to get to your destination, you might have missed that small door that opens onto a garden.
The funny thing is -- I rarely re-key poetry manuscripts. When I've got the poetry thing going on, I'm already looking at each word, making sure it's earning its keep. But for prose pieces, re-keying at least once during the revision process is, well... key.

Re-keyers, speak up. If you re-key your manuscripts, tell us why the technique works for you.

Wednesday, February 10, 2010

Amok in Revision

When I'm teaching poetry revision to elementary schoolers, I write on the board: Re/vision.

We parse the word. "Re"  means to do again. For "vision," I draw a pair of goofy glasses on the board. Revision doesn't mean editing or proofreading. It literally means to see again, with fresh eyes.

Often, those fresh eyes see something I don't want to look at. Like an entire scene or poem from a book that's not working. Ouch. But my revision glasses work like the glasses I put on every morning. They help me see better. If I tried to drive the story without them, I'd be all over the road.

Today, I'm revising my middle grade yearbook-in-verse, THE COUGAR CHRONICLE.

Here is a persona poem in the voice of a girl from my fictional fifth grade class. My writer friend Marjory Bancroft said, "I got nothing in this poem -- no sense of story, rhythm, character, personality."

Ode to My Twin
By Sydney Costley

I love the whooshing sound
when the glass doors open
and kids rush out for recess.
Basketball, four square, tag,
Double Dutch, monkey bars,
laughing, yelling, running.
But then Ashlie had to start
teaching all the girls cheers.
If Mary Rose wants to
prance around copying
stuck up Ashlie Hauk
I got no time for her.
I told her so.
And she said, "Fine."
I went behind the school to hide.
My sister Sonya followed me.
She said, "Cheerleading's dumb.
I'd rather make a jump shot
than jump for joy when some boy scores."
We played hoops one on one
for the rest of recess, me and my
number one BFF,
sister Sonya.

I sat on Marjory's comments for months, hoping I could rescue the poem. I liked how it described recess, touched on problems Sydney was having with her friend (a thread that shows up later in the story), and developed the relationship between Sydney and her twin.

But the revision glasses told me it was time to chuck the poem and start over.

I used one of my favorite tricks and tried a different form, keeping in mind the story and character elements I liked in the original. So...let's see if an ekphrastic poem will work better for Sydney. She's a hands-on learner, likes phys ed, recess and Art. I took out a Van Gogh portrait that I use with elementary schoolers when we write self-portrait poems. Here is Sydney's new poem.


Self Portrait
by Sydney Costley

Miss Hill said we could make a portrait
just like in art class, except instead of colors
we could use words to make the picture.
And I remembered that portrait
Ms. Musay showed us in Art
where Vincent Van Gogh painted his face green!
Blue green swirls all around him,
vines of blue crawling on his jacket.
It looked like his clothes wanted to move.
I know how that feels.
My name is Sydney.
My color is green.
My words say there is green grass behind me,
under my feet on the soccer field,
under my head when I look up at the sky.
My face has blue lines curving down
when Mary Rose spends recess learning cheers
from Ashlie Hauk instead of shooting hoops with me.
When I'm running, I like the way
the sun shines on my dark blue windbreaker
like waves sliding across the ocean.
I wish I could jump into my portrait poem,
forget about school and dive into that ocean.
I'd swim away.

What do you think? Did the revision glasses do their job?

(Sydney is thinking about playing with the shape of her poem, to give it a swirly feeling like Van Gogh's painting. -- Still revising!)

Tuesday, October 7, 2008

Amok in Revisions

Finished the rough draft of my middle grade novel in verse today! Thirty fifth graders. Thirty voices. Thirty poetic stories to tell. More on the novel in verse form later. (I need to go lie down and eat some chocolate for a while before I think about revisions. I need to walk the dog. I need to fight the urge to start working on revisions right now.) In the meantime, on my reading and re-reading list are these novels in verse: Love That Dog, Sharon Creech The Trial (and anything else by), Jen Bryant Who Killed Mr. Chippendale?, Mel Glenn God Went to Beauty School, Cynthia Rylant Good Masters, Sweet Ladies, Laura Amy Schlitz At the Dodge Festival, Borders was selling only one YA author who does novels in verse, Ellen Hopkins. When I talked with agent Stephen Barbara at the Westminster, MD SCBWI about novels in verse for kids, he mentioned Hopkins. I haven't read any of her books. Have you? Let me know what you thought.