THE LAST FIFTH GRADE OF EMERSON ELEMENTARY

THE LAST FIFTH GRADE OF EMERSON ELEMENTARY
April 12, 2016
Showing posts with label margaret simon. Show all posts
Showing posts with label margaret simon. Show all posts

Monday, April 6, 2015

NPM 2015: What Are You Wearing, Margaret Simon?

We've been having a National Poetry Month costume party here at Author Amok. 

Find the official NPM 2015 poster
at the Academy of American Poets
Throughout April, guest bloggers are putting on their costumes and best outfits as we feature poetry about clothes. Why clothes? Read this post.

In addition to the guest bloggers, every Friday in April I'll post a round-up of original clothing poems. (Send those via email to laurashovan at gmail dot com or leave them in the comments). You'll find this week's writing prompt at the bottom of this post.

Meet today's guest blogger, poet Margaret Simon. 

The One the Shoe Fit

There is so much to love about poetry.  How it rolls off your tongue smooth and sweet and you want it to stay there, never to swallow again.  How it shows you a part of yourself you never knew existed, or you kind of knew, but you were denying it until someone wrote about it like they had just taken a knife and opened up your heart.  How when you find one poem to love there are always more. 

My husband gets The New Yorker.  I say this even though I write the check every year that keeps it coming.  He’s smarter than I am.  He’s definitely got a better sense of humor.  And he loves to read.  That is, he reads everything but poetry.  I read the quick stuff, cartoons, movie reviews, and, of course, the poetry.

The last issue of March introduced me to my new favorite poet, Ellen Bass.  Her website is here: http://www.ellenbass.com/poems/ I read all of the poems available there, so now I have to buy her books. 

The poem in The New Yorker is titled The Orange-And-White High-Heeled Shoes.  Laura had put out the call for poems about clothing, so I sent her a quick email, “I’ve got the perfect poem!” 

The Orange-and-White High-Heeled Shoes
by Ellen Bass

Today I'm thinking about those shoes--white
with a tangerine stripe across the toe and forceful orange heels--

that fit both my mother and me. We used to shop like that--
trying them on side by side. That was when there still

was a man who would cradle your heel in his palm
and guide your foot. Sometimes he would think he made a sale,

only to have one of us turn to the other--
and he would have to knee again, hoping to ease another naked sole

into the bed of suede or leather. I thought those shoes
were just the peak of chic. And--my God--

you bought me a pair of orange cotton gloves to complete the ensemble.
Why is there such keen pleasure in remembering?

Read the rest -- and listen to Ellen Bass read the poem -- at The New Yorker.


Find it at Polyvore.
Who can resist those shoes…with a tangerine stripe across the toe?  The poet shops with her mother for shoes back in the day when there still/ was a man who would cradle your heel in his palm/ and guide your foot.

My mother and I went shopping for “practical” shoes last summer, far from the high-heels of this poem.  We were looking for shoes that fit well and offered support to aging feet.  My mother took me to a specialty shop where the clerk was still there ready to cradle our heels. 

Why is there such keen pleasure in remembering?

I am transported to my own memory.  My mother is still able to go with me to shop for shoes.  Ellen’s mother has been dead ten years. This is the turning point, that shift that hits you right in the gut.

The poem turns sensual with The first boy had not yet misted my breasts with his breath/ and you were strong as a muscled goddess, gliding nylons/ over your calves.

Then Ellen Bass offers the question we all ask, Who will remember these pumpkin-colored pumps/ when I die, too?  I look to my own memories with my three daughters as they were growing into young women.  We shopped and I usually lamented the hours it would take to find the perfect prom dress.  And then I would cry internally about how lovely they looked in that just-right dress.   And now as we prepare for her best friend’s wedding, my daughter models the bridesmaid’s dress and I carefully stitch in a tuck for a better fit.   These moments are small and easily forgotten, but poems help us remember and relive. 

All of us girls want to be Cinderella.  We all know the feeling of having the shoe put on our foot.  We all know the feeling of running away when the clock strikes twelve.  We are all searching for the one true love, the shoe that will always fit and will glitter in the moonlight.  In her poem about the pumpkin-colored pumps, Ellen Bass has captured my heart with memory and hope. 

Margaret is wearing a specially designed
ensemble for the Jackson, Mississippi
Sweet Potato Queens weekend.
The event's theme was "Braveheart."
Margaret Simon lives on the Bayou Teche in New Iberia, Louisiana.  She is passionate about teaching, poetry, Charlie her schnoodle, her three daughters, and Zydeco dancing with her husband of 32 years.  She believes that a teacher of writing should be a writer.  She writes to know what she knows, to play with words, and to connect with others.  Margaret published a book of poetry with her father’s art, Illuminate, in 2013.  Her poems have appeared in the journal The Aurorean.   She blogs about teaching and writing at Reflections on the Teche

Thanks for visiting, Margaret. I love that hat! "I thought those shoes/ were just the peak of chic." Haven't we all owned an article of clothing we loved that much?


ICYMI: In this series...
Jane Elkin looks in her childhood closet. Poems by Mark Irwin and Ron Koertge.

*Your suggested clothing poem prompt for Friday, April 10: Shoes.
On the practical level, they protect our feet from lumps and bumps. But shoes can be engineered for running, biking, or dance. They can be impractical works of art, colorful and sky-high. What does a pair of shoes say about the wearer?

Send your poems any time. I'll post original work on Friday.

Sunday, April 27, 2014

Source Poems: "Wild Geese"

For National Poetry Month 2014, I have invited 17 authors and poets to guest post about source poems. In this series of essays, each writer will describe a single poem's significance in his or her life.


Poet and educator Margaret Simon -- one of our Pantone Poetry Project regulars -- is today's guest blogger. Margaret blogs at Reflections on the Teche.

Margaret Simon
Words are the gift of poets, and Mary Oliver is a master. A good friend gave me one of the first poems I heard by Mary Oliver. At the time, I was struggling with a professional position. This was one teaching job that I thought was IT, the perfect one for me. Then the unimaginable happened. My administrator found me inadequate, not good enough.

In my contract, I was being forced to go back to college for math. At the time, I had completed a masters program in gifted, been a teacher-consultant for the National Writing Project for 10 years, and had taught for nearly 20 years. My whole body revolted. I knew without a doubt that I would never be able to be a passionate math teacher. And a part of me was deeply insulted that it wasn’t enough to be a passionate writing teacher. I quit. I didn’t sign the contract. But my spirit was devastated. I was not good enough, a failure.

Mary Oliver saved me.

You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body

         love what it loves.”

The soft animal of my body fell in love again and again with this poem. Her words were more than a comfort; they empowered me. I could move on, be good again, and be a part of the world.

Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting-
over and over announcing your place
in the family of things.

My dear husband asked, “What do you want to do?” He encouraged me to pursue a job that would fit me, one where I could teach what I love. I did find it. I have been happily teaching gifted elementary students for the last 7 years. Ironically, I do have to teach math sometimes, but I find a way to work in writing, too.

I still go back to Mary Oliver’s words over and over. I am an achiever, a do-gooder, never-say-no kind of person.  "Wild Geese" has taught me to honor the person I am and to be willing to make mistakes, to not always be perfect. I realize that no matter what, I am loved. And I can love what I love without excuses.

Wild Geese
by Mary Oliver
You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
       love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Read the rest at The Writer's Almanac.
Or watch Mary Oliver read the poem:
Knowing
            a response to “Wild Geese” by Mary Oliver

The moon glows in rings of light.
My soft body relaxes,
knowing
Jupiter is shining in the predawn sky
saying
You are enough.
You do not have to be good.
Love what you love.

Listen
to the train in the distance
shouting its presence
to the world.
Stop,
write a poem from your heart.
Wait
for the train to pass.

I stop to pay attention
to the fading full moon
and Jupiter and
the endless cars of this train.
I can become one
in the family
of things.

--Margaret Simon
italics indicate Mary Oliver’s words

Mary Oliver
From The Poetry Foundation
Margaret Simon is a Mississippi native who married into a Louisiana life. She lives on the Bayou Teche in New Iberia, Louisiana with her husband, Jeff. Their now empty nest once housed three daughters, Maggie, Katherine, and Martha. Margaret has been an elementary school teacher for 28 years, most recently teaching gifted students in Iberia Parish. She has published poems in the journal The Aurorean, and wrote a chapter about teaching poetry to young children for Women on Poetry published in 2012 by McFarland  & Company, Inc. Publishers. Border Press published her collection of poems with her father’s Christmas card art, Illuminate in fall of 2013 [featured at AuthorAmok here]Blessen, a novel for young readers, was published in April 2012, also by Border Press. In her teaching profession, she has a Masters degree in Gifted Education and certification by the National Boards for Professional Teaching Standards. Margaret writes a blog regularly at http://reflectionsontheteche.wordpress.com.

Previous posts in this series:
Diane Mayr on a haiku by Basho
Shirley Brewer on "The Singers" by Eavan Boland
Renee LaTulippe on "Daddy" by Sylvia Plath

Thursday, March 6, 2014

Poetry Friday: 2014 Poetry Project Wrap-up

Happy Poetry Friday, Writerly Friends. We’re celebrating the end of our Pantone® Poetry Project today.

It’s Poetry Friday! Today’s host is
one of our Pantone
® Poets --
Margaret Simon. Join her at
Reflections on the Teche for all
of today's poetry links.

On January 31, I invited everyone to join me for a month-long project, writing in response to interior paint colors.

This is the second time I've celebrated my February birthday with a daily project that gives back to the writing community. (Read the original Pantone Poetry Project post here.)

Last year, I sent original postcard poems to 44 friends. This year, Author Amok turned into a poetic version of a Color Run, with poets doused in all the shades of the rainbow for writing inspiration.

Photo of a Color Run from the Yale Herald.
During the 28 days of Pantone® poems, this is what we created:

115 original poems by
14 poets about
55 colors

The poems have covered such topics as love, memory, penguins, teddy bears, bad weather, longing for spring, and outer space. We've had haiku, free verse, diamantes, rhymed couplets -- a variety of forms and experiments.

Huge thanks to all my writing buddies, whether you contributed one poem, or wrote every day. I’ve got some prizes for you, but first, let’s see what we came up with for our final color.

Day 28 Tandori Spice
Pantone ®  18-1444

The poets knocked it out of the park today. I found these poems to be heartbreaking, warm, and funny (Patricia).

Today's poems are all portraits of one kind or another, each in response to this rich red. (The non-standard spelling of "Tandori" comes from Pantone®.)

Let’s start with Diane Mayr’s (Random Noodling) poem, in which the spice is a symbol of food and culture left behind.


Unsettled
by Diane Mayr

She now lives with
her son and his family
far, far from her home.

This world so different
insignificant things still
remind her she is not home.

Even the building taunts with
its bricks the color of the 
spicy chicken Mama made.

As she walks in the door
she remembers the smile
her mother always wore.

Someday soon, she
realizes, she will need to
unpack all of her luggage.

I'm amazed that a poet (Diane) can begin with one image -- bricks the color of Tandoori Spice -- and build a character like the mother in this poem.

Linda Baie of Teacher Dance is also looking at food and spices as a symbol of integration. When we share food, we share a whole culture.


Newlywed Complication
By Linda Baie 

Grandmother’s letter reads:
Rub the chicken with tandoori spice,
that bottle with the beautiful dark red color.
She sent it to me after I moved to the states,
reminds me of the color in the carpet,
in the dining room
at Grandmother’s.
Tears. My husband isn’t home to teach me
how to use the big black skillet,
his grandmother’s wedding gift to us,
the heavy iron one. She wrote on the card:
This is a special family heirloom,
been in the family for years. I hope it helps you cook
good things for my grandson.
He’s invited his parents for dinner and he wants,
he wants,
fried chicken.
I wanted to make something Indian for them,
to show that I did know how to cook.
The food I prepare with love and respect
is like going home to me, delicious tastes
and nutritious, prepared to honor those
who partake.
He says “no, we’ll give them ‘different’ another time,
when they’re more used to you."
For now, I pull the chicken parts
out of the refrigerator, rinse them,
and rub some of the spice into the skin.
A little won’t hurt, I can wash it off later.
I lean out the back door, observe the tandoor
sitting next to the gas grill,
given to us by my father-in-law.
One is my new husband;
one is me.
Both can feed us well if we only let them.

Linda Baie ©All Rights Reserved

Margaret Simon's poem could be read as a continuation -- a later chapter? -- in the narrative begun with Diane and Linda's offerings.


Gita’s House
by Margaret Simon (with a line from Gita’s son, Tinka)

Gita’s house smells of tandoori spice.
Pungent ginger and paprika
Sprinkle my nose with tingly powder.
Her life in India is a memory now,
a treasure of traditions for us.
Gita gave my daughters her old saris,
long elegant silk wrapped around their tiny bodies,
an Indian Princess fashion show.
Scraps became a soft pillowcase
for Maggie to take to college.

Gita shows me her spice cabinet,
a collection of masala—cardamom for tea;
yellow curry for chicken and rice.
She cooks Indian dishes from all over the country,
goat curry from the north, dosas from the south.


There are no empty stomachs or strangers in Gita’s house.
Everyone is welcome. Everyone is fed.

Pillow made of sari fabrics from WorldMarket.com
love how Patricia VanAmburg uses hot flavors to create a rhyming portrait of Tandori Spice in human form.

Yes, She Was Hot
By Patricia VanAmburg

Tandoori was a dancer
Whose life was full of spice
She wasn’t really naughty
And she wasn’t really nice

With live coals in her belly
And fire on her breath
When she danced her hottest
She could burn a man to death

I’m going to throw a few snowballs at you so we can cool off after reading that poem. Below is my favorite painting by my husband's aunt, Barbara Kozell. We are lucky enough to live with this beautiful artwork.

My portrait isn't of a person, but of the bird in the painting. We see cardinals all winter long in Maryland, but this male seems displaced in his winter landscape.


Forsythia after Spring Snow
By Laura Shovan

Under the snow
the world
has caught fire.
A cardinal, red
as tandoori spice,
warms  himself
by the flames
of yellow blossoms.

UPDATE:

Poet Michael C. Davis is joining the party -- a little late, but always welcome.

DINING OUT
by Michael C. Davis

I like my meat red.
You could always order the lamb.
But look at that chicken
as red as a fire engine
abandoned in a field.
The bird’s flesh
skinned and rubbed
raw with garlic cumin coriander paprika cayenne onion.
The juice of a lemon
to cool it; a dahi balm
before roasting.
Pick it from the bone,
red nailed one.
Dip the tidbit in raita if need be.
Press the meat between
your ruby lips, Gopi.
Blue-fleshed Krishna needs a little tandoori spice
warmup.


Delicious, Michael. I'll be dreaming of Indian food tonight. But first, it's time for PRIZES!

As promised, I am sending Pantone postcards for further inspiration to the five poets who wrote most often. They are:

Michael Ratcliffe (3 poems)
Margaret Simon (13 poems)
Patricia VanAmburg (16 poems)
Linda Baie (21 poems)
Diane Mayr (26 poems)

That makes Diane Mayr our most frequent contributor. Her prize? A Pantone® writing notebook of her very own.


Thanks also to Michelle H. Barnes, Michael C. Davis, J. C. Elkin, Stephanie Lemghari, Heidi Mordhorst, Buffy Silverman, Donna Smith, and Tabatha Yeatts. Each of these fine poets shared a poem or two this month.

Would you like to go back and revisit all of the colors in our project? Here they are. Click on the links to read the poems. I hope you find something to inspire your own writing.

Day 7: Jazzy
Day 11: Tarmac
Day 14: Oxblood Red
Day 28: Tandori Spice and project wrap-up

What’s next for Author Amok? During March, Michael Ratcliffe will stop by with a poetic form from Wales and Margarita Engle will visit to tell us about her latest novel-in-verse, Silver People.

Before you know it, National Poetry Month will be here. Time for another project. I’ll announce the project and put out a call for guest bloggers next Friday. Meanwhile, enjoy the 2014 NPM poster:


2014 Poster, designed by Chip Kidd