Summer Reads: Chapter & Verse (The Impossible Knife of Memory)

2014 has been the summer of the audio book. Between family visits, my son's college search, and driving kids back and forth to camp, we've racked up enough miles on the Mars Rover for a cross country trek.

(The kids nicknamed our red mini van "The Mars Rover" many years and over 120,000 miles ago. Because we are geeks. But more about that on Friday.)

I can only listen to Coldplay, Queen, and Temples so many times. That's why my first stop on any road trip is the local library, which has a great selection of audio books.

Recommended listening

For this edition of Summer Reads: Chapter & Verse, I'm pairing one of my road trip books with a poem. If you'd like to know more about this series -- in which guest bloggers and I are matching a summer read with a poem that complements the novel -- check out this post.

My daughter went to field hockey camp at University of Delaware last month. I spent both drives -- dropping off and picking up -- listening to Laurie Halse Anderson's most recent novel, THE IMPOSSIBLE KNIFE OF MEMORY.

THE IMPOSSIBLE KNIFE OF MEMORY
featured on NPR

After spending years on the road together, high school senior Hayley Kincaid and her veteran father decide to settle down. Hayley hopes that returning to their run-down family home will help her father recover from PTSD. When living in her childhood home triggers her own long-buried memories, Hayley begins to realize she can't care for her father alone.

If you're following this series for classroom discussion ideas, THE IMPOSSIBLE KNIFE OF MEMORY is upper YA. The poem that I'm pairing with it is complex enough for high school juniors and seniors to dig into.

The you that's left
     In memory of 1523 Calliope St., New Orleans  

by W.M. Rivera

The end is not, so wrote Herodotus on looking back,
apparent from the outset. Amazing what's forgot
or not, the blanks, nostalgia, childhood's steps
or aches to see that silent gnaw, the house a vacant
lot, a broken jar, remaining bits of too-long
absent egos. What's the use to know it,

far-off thunder, that earlier ignorance, who thought
grown-up was ten-times tall, conceiving
secrecies at each closed door, and running running
never still, the sky off blue--few cares, slow

leaping walks again. All this on un-retaining walls
in chalk expecting rain, while forward's still a stop
an aimless nowhere and that endless wait
for one you never meet, the you that's left.

There are so many lines in this poem that speak to Laurie Halse Anderson's book. The phrase "ten-times tall" fits the way Hayley saw her father when she was little. "Amazing what's forgot/ or not, the blanks,/ nostalgia, childhood's steps" reminded me of the holes in Hayley's memory and how images begin to seep back in, helped by being in the physical space of this house. Most of all, I felt that the last three lines of Bill's poem could be in Hayley Kincaid's voice. She's got to deal with the part of herself, and of her father, that are left. She can't wish either one of them back to wholeness.

Huge thanks to Maryland poet W.M. (Bill) Rivera for giving me permission to post "The you that's left" today. The poem is from his chapbook, The Living Clock, published by Finishing Line Press.

Want to check out more posts in this series? Here you go!

So far, we've paired:

THE GIRLS AT THE KINGFISHER CLUB (Historical YA) with Edna St. Vincent Millay's "First Fig"

DARIUS & TWIG (Contemporary Urban YA) with Gwendolyn Brooks' "We Real Cool"

STARGIRL (Contemporary YA) with Eileen Spinelli's, "Poem for a Bully" and "Advice to Rapunzel" -- Shared by guest blogger Janet Wong

Do you have an idea for Summer Reads: Chapter & Verse. Guest bloggers are welcome! For more information, find a full explanation of the series and a sample Chapter & Verse pairing at this post.

A Loaded Gun

My mother was called for jury duty a few months ago. I don't remember the details, but I believe she had been at the courthouse, waiting to be interviewed by lawyers.

"I can't go back," she told me over the phone. "I have a terrible migraine. How am I going to get out of it?"

"Mom," I told her. "You're having post traumatic stress symptoms. Tell them. You shouldn't have to sit on a jury again."

How do you feel about jury duty?

Over twenty years ago, my mother was on the jury for a postal massacre. She had to view photographs of the crime scene. Then the jurors made a visit to the post office in Ridgewood, New Jersey, where a former postal clerk -- after killing his supervisor and the man's girlfriend in their home -- murdered two postal employees before turning himself in to police. (Read a NY Times article, written at the time of the 1991 murders, here.)

I have been thinking about my mother's experience ever since Saturday, when a 19-year-old boy showed up at our local mall with a shotgun in his backpack. He killed two young people at the store where they worked, then killed himself.

I wish I could express -- as a transplant to Howard County, Maryland -- what it is like to live in this community. The central township of our county is Columbia, where the mall shooting took place. Columbia is famous for being a planned community, the vision of developer James Rouse. His commitment to building an ethnically and socio-economically diverse, welcoming suburb was idealistic, but it still acts as a foundation for the place where we live today.

Columbia's "People Tree" sculpture is a symbol
and celebration of community.

Midway between Washington, DC and Baltimore, our area is not without crime. However, public spaces are valued here as a way to maintain Rouse's inclusive vision and small-town feel. We have free open-air movies at the lakefront every summer. Columbia's mailboxes don't stand at the end of individual driveways, but rather in a central group -- encouraging residents to meet and have a daily chat. And then there is the mall. Until now, it was a safe place for families and newly independent teens to meet for a meal or a movie and window shopping.

I was surprised by how deeply Saturday's shooting affected me. We were scheduled to hold the launch reading of Little Patuxent Review's new issue that afternoon -- right around the corner from the mall. My co-publisher gave our event the go ahead. We would celebrate as planned.

I'm glad we did. More than 60 people came to share poetry, fiction, our love of literature and art. We all -- Columbia residents and out of town visitors -- took comfort in gathering as a community just hours after the shooting.

In the last few days, people began to share stories: a friend of mine was shopping for a birthday present at the time of the shooting. She sheltered in place in a jewelry store. On Monday afternoon when the mall reopened, my friend went back to thank the store clerk whom she now knew by name.

For many, like me, the crisis in our town has triggered memories of other violent events: the 9/11 terrorist attacks, the DC area sniper shootings in 2002, the postal massacre that still affects my mother.

A member of the non-profit Moms Demand Action for Gun Sense in America noticed my shooting-related posts on Twitter. (Visit their website.)

At first I was shaken by Saturday's shooting. Now I'm deeply sad. Tonight: had to explain the American gun lobby to my 14-year-old.
— Laura Shovan (@LauraShovan) January 28, 2014

I joined the group after reading their response to the Columbia Mall shooting.

During Saturday's reading, I felt that poetry was a light we shared to dispel the darkness. Emily Dickinson's poem "My Life had stood - a Loaded Gun" is not an easy read. It's given me something to think about, though, as I struggle to understand how guns have taken on a life of their own in this country.

The final two stanzas of the poem speak to the issue of gun violence. 

My Life had stood - a Loaded Gun (764)

BY EMILY DICKINSON

My Life had stood - a Loaded Gun -

In Corners - till a Day

The Owner passed - identified -

And carried Me away -

And now We roam in Sovreign Woods -

And now We hunt the Doe -

And every time I speak for Him

The Mountains straight reply -

And do I smile, such cordial light

Opon the Valley glow -

It is as a Vesuvian face

Had let it’s pleasure through -

And when at Night - Our good Day done -

I guard My Master’s Head -

’Tis better than the Eider Duck’s

Deep Pillow - to have shared -

To foe of His - I’m deadly foe -

None stir the second time -

On whom I lay a Yellow Eye -

Or an emphatic Thumb -

Though I than He - may longer live

He longer must - than I -

For I have but the power to kill,

Without - the power to die -