I have to admit, I am struggling with this poem. It has already gone out to a friend and fellow writer. She is working on a fantasy set in Ancient Egypt. (Sound familiar, readers?)
I am struggling so much that I have revised the poem multiple times since sending it.
| Postcard 9 features this image. Here it decorates a perfume bottle, 1890. www.museudelperfum.net |
There were other directions I could have gone with this label -- on my card, it's a soap wrapper. But when I looked up the brand name, "Isiris," I learned this was another name for Osiris, that grand Egyptian god. There had to be a poem in the juxtaposition between over the top Victorian decoration and the God of Death.
| The god Osiris often appears with green skin. |
My major problem is, I'm not sure this poem stands alone. Without the illustration, it's nothing.
But I have to let that go. As I told my husband, I had goals with this poetry project, and one of them was to stop listening to my inner perfectionist -- that critic many of us have stomping around in our heads.
By writing 44 poems in quick succession, I wanted to rap this mantra on the knuckles of my soul: I SHALL NOT EXPECT EVERY POEM I WRITE TO BE PERFECT.
To which my husband said, "Then you wouldn't be you." (Did I detect a note of sarcasm?)
Victorian Soap Label
The
brand is Isiris,
another
name for Egypt’s
god
of death, his
pharaoh’s
crown traded
for
a head of golden curls
and cherub’s wing,
and cherub’s wing,
frothy
as the filigree
decorating
this label.
In its rosy center, the god
In its rosy center, the god
kicks
up his baby heels,
he
knows I will
unwrap
his soap, inhale
its
perfume and
lather
my mortal skin
while
he waits, discarded,
among
tonics and
moisture-preserving
lotions.
by Laura Shovan
Postcard information: “©2003
B B K Paris, From Soap Labels: 40
Collectible Postcards, published by Chronicle Books.”
| You can find the book on the Chronicle website. |
I still like the idea of Osiris masquerading as a frolicking putto, wrapped around fragrant soap. I like the idea that we use cosmetics to make believe we are delaying our date with aging and death.
What do you think? Does the poem work without the illustration?