There are these beauties (a gift from my mother-in-law):
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| Nothing cheers up a wet day like a pair of colorful goloshes. Check out these of fancy rain boots featured at The Art of Accessories. |
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| George and Martha are always in step with each other. |
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| Made for bound feet? |
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| Mini Fenton glass slipper |
Throughout April, guest bloggers are putting on their costumes and best outfits as we feature poetry about clothes. Why clothes? Read this post.
In addition to the guest bloggers, every Friday in April I'll post a round-up of original and recommended clothing poems. (Send those via email to laurashovan at gmail dot com or leave them in the comments). You'll find this week's writing prompt at the bottom of this post.
Meet today's guest blogger, poet and educator -- and my good friend -- Heidi Mordhorst. So, what are you wearing, Heidi?
Boots. I’m wearing boots, and here’s a reason why: a Mother's Day card from 2014. I wrote to my mom, born 1939, about some of the things I brought home when they gave up their “real house” and moved to a smaller retirement place, and about some of the things that I had re-encountered when we moved in 2012.
“Dear Mom,
Here I am, surrounded by things that were put away and 'forgotten' until we had to move. All this year as I've been
messing around in the garage, in all those boxes, in my closet, I realize that
I've been working my way towards a REAL project (rather than an inane and
embarrassing obsession with Stuff).
Clothes--what they are and what they mean about us when we wear them--are not exactly poetry, although I have written poems about certain items of my clothes. But I could write a whole book about all the clothes of my life, and the book starts here and here:
Clothes--what they are and what they mean about us when we wear them--are not exactly poetry, although I have written poems about certain items of my clothes. But I could write a whole book about all the clothes of my life, and the book starts here and here:
v
Lila’s
Paper Doll Clothes, Made About 1950
Heidi’s
“Chitty Chitty Bang Bang Dress” c. 1968 >
What artistry! What fine craftswomanship! No wonder I
care. No wonder I thought I could teach myself to quilt all of a sudden
in 1990. No wonder we both get compliments on our "looks."
In fact very little is forgotten of all the first-day-of-school dresses (1969-1986), the sewing and embroidery lessons (the white crinkled cotton peasant blouse with the embroidered yoke, c. 7th grade, worn with the red Levi's 'Bend Over' pants), the things you bought me and 'Guess what I almost bought you today!' Once I started brain-dumping all the mental images I have of my clothes I could barely stop and get dressed to go to school:
In fact very little is forgotten of all the first-day-of-school dresses (1969-1986), the sewing and embroidery lessons (the white crinkled cotton peasant blouse with the embroidered yoke, c. 7th grade, worn with the red Levi's 'Bend Over' pants), the things you bought me and 'Guess what I almost bought you today!' Once I started brain-dumping all the mental images I have of my clothes I could barely stop and get dressed to go to school:
- · the occasions that demanded them: the star-spangled outfit I wore on July 4th, 1976
- · the sensory details of each item: the leather clogs you brought from Italy
- · the emotional importance of the moments in which they feature: choosing Wesleyan because of purple parachute pants and black-and-white yard-sale stilettos
- · the statements I have made with them: pink suede cowboy boots in the dead of a Munich winter
Thank you, Mom, for the gift of style, the gift of attention to detail and the
tradition of handwork, and even for the gift of hypercritical observation and
judgment of myself, which can be a helpful skill in writing poetry. Thank you
for all the ways you have contributed and will contribute to my clothing
memoir—won’t this be fun?!
With closets full of love,
Heidi xoxoxo”
With closets full of love,
Heidi xoxoxo”
Dear readers,
does this begin to explain my excitement when I saw what Laura was planning for
April? And I have not even touched on
the slightly sick obsession with online “fashion bloggers” and “capsule
wardrobes” and “closet remixes” that took me over in 2014 when I had a kindergarten
class that I just could not manage well enough. My clothes, however, obediently did all kinds of things I asked of them
without refusing, running out of the room, or spitting at me.
While I have
recovered somewhat from this desperate need to exert control, the plan for the
memoir lives on. It won’t be the only
clothing memoir in existence, but perhaps the first clothing-memoir-in-verse. Have you read Love,
Loss and What I Wore by Ilene
Beckerman? Have you seen the
off-Broadway show it turned into? Nora
Ephron, who adapted the book into a script, said this book "is not about fashion; it is
about what clothes really are to us, those moments when we are constantly
trying to find our identity through them."
I
disagree with Nora—Love, Loss and What I
Wore IS about fashion, about
what the world considers fashionable at any given moment and what it means to
us if we care about appearing fashionable. And I agree with Nora—through our clothing choices we find and express
our identity. Part of this for me, I’m
discovering in reading other “What Are You Wearing?” posts, is that my
experience of my actual body is almost 100% determined by what I’m
wearing—since I’m wearing something almost 100% of the time. (I’m probably revealing something frightfully
personal by admitting that I have hardly spent any time naked in my life, but
that’s just the way I was brought up.)
For
this reason clothing poems are literally TOUCHING to me--every word and phrase
becomes sensory and sensual because clothing poems are about the objects and
articles that touch and texture, shape and color our bodies. And for some of us, clothes are part of our
daily arts—like cooking might be for some, or writing for others. We size up the constraints of weather and
activity and what’s clean, and we make some artful choices within those limits,
kind of like putting “the best words in the best order.”
And
we use clothes, don’t we, to show ourselves as we wish we were, as well as who we really are? Here’s a poem that began with the first pair of boots I
ever owned, in about 11th grade, and continues to this day as I say goodbye to
the boots I wore all winter and think about what shoes are going to make me
feel like Penelope Pitstop all summer…
Disguise
by Heidi Mordhorst
These
boots aren’t just for walking—
they’re
a shiny black mask for my feet.
They
shift my balance, turn me into a bandit
who
steals into secret identities.
She sneaks out wielding Xena’s sword in one hand
and Sappho’s pen in the other.
Wearing Nancy’s miniskirt
she climbs into Amelia’s Electra.
With a mouthful of Penelope’s bubblegum
she blows up a biography as fiery as St. Joan’s,
then drops to the roof like Catwoman,
landing
gracefully in my shiny black boots.
--Heidi
Mordhorst 2011, 2014
all
rights reserved
Here’s
another view of boots: see how different
and yet how telling they are of identity, even empty.
Work Boots: Still
Life||Jim Daniels
Next to
the screen door
work
boots dry in the sun.
Salt
lines map the leather
and laces
droop
like the
arms of a new-hire
waiting
to punch out.
The shoe
hangs open like the sigh
of
someone too tired to speak…
Read
the rest at The
Poetry Foundation, and don’t miss this
quite long and lovely video in which Mary Ann Hoberman reads her very first
published book of children’s poetry, All
My Shoes Come in Twos (1957).
I’m
grateful to Laura for giving me this opportunity to contribute to her NPM
project, and for the chance to develop my ideas about a clothing
memoir-in-verse. And look: here I am in my current favorite boots,
wearing a favorite scarf that Laura knitted for me! I hope I look formidable but fun—that’s the
poet identity I’m always going for.
***********************************
Heidi
Mordhorst is the author of two collections of poetry for children: Squeeze:
Poems from a Juicy Universe (2005) and Pumpkin
Butterfly: Poems from the Other Side of Nature (2009). She lives with her family in Montgomery
County, MD, where she teaches full-time and blogs at the crossroads of poetry
and kindergarten. She enjoys spending
more time than is strictly necessary thinking about what to wear where and
when.
Heidi, thank you for such a rich post. When I came up with the theme of poetry about clothing, I intended to explore clothes as symbols. As we have seen in this series, clothing is often handed down or negotiated over in families. I like how you bring up clothing as a personal statement. Yes!
ICYMI: In this series...
Jane Elkin looks in her childhood closet. Poems by Mark Irwin and Ron Koertge.
Margaret Gibson Simon tries on orange high heels. Poem by Ellen Bass.
*Your suggested clothing poem prompt for Friday, April 17: Secret Identities.
Have you ever had an outfit that made you feel like a super hero? Or a pair of boots that, whenever you wore them, made you feel powerful? Whether it's a lucky shirt or a pair of jeans that fits you to perfection, write about a piece of clothing that makes (or made) you feel like you could take on the world.
Send your poems any time. I'll post original work and recommended poems on Friday.
